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Bodoni was a printer, typographer and prolific type-designer in Parma, Italy. Originally designed by Giambattista Bodoni (1740 – 1813) in Parma, Italy c1790. It was both designed and used for telephone directories. It is a slender sans serif and economical in terms of space. He started as salesman, then sales manager and by 1948 was vice-president in charge of typographic development.īell Gothic was designed in 1938 and, though credited to Griffith, was probably a collaboration between the Bell Telephone Company’s typographer and Mergenthaler Linotype. Griffith was born in Ohio, USA and worked for the Mergenthaler Linotype Company from 1906. The husband died in 1764 and Eaves and Baskerville were able to be married.ĭesigned by Chauncey H Griffith (1879 – 1956) at the Mergenthaler Linotype company, USA in 1938. Eaves was married with three children, but her husband had deserted her and fled the country after being convicted of fraud. The original punches are now in the University of Cambridge library.īaskerville’s ‘housekeeper’ was for many years Sarah Eaves. It has been suggested that Baskerville did not make his own letter punches but supervised the making of them by John Handy. His eponymous font dates from around 1757 and reflects the influence of William Caslon’s types and the calligraphic style developed in Italy in the 16th century which had smoother curves and more contrast between thin and thick strokes. Baskerville began his career as a printer and typefounder in Birmingham in about 1750.
Originally designed by John Baskerville (1706 – 1775) in Birmingham, England in 1757. The Society’s response to demands for increased wages from their workmen – casters, rubbers and dressers – was to agree in May 1800 that ‘… no servant be, in future, employed, unless he leave his last place, his work being finished, and clear of debt.’ The Society sought to regulate the type trade by price-fixing and setting terms for the trade. He was a member of the Society or Association of Letter-Founders, formed in 1793 and ‘Convened for the purpose of taking into consideration the enormous increase of the Prices in the various Articles made use of in the Business of Type Founding’. Figgins cut type for the Oxford University Press and the East India Company. Figgins set up his own foundry after Jackson’s death which had a reputation as one of the best. He issued his first specimen book in 1792. The style was probably developed by sign writers in the early 19th century where the heavy letter forms were easier to paint than delicate styles and better suited to display.įiggins served his apprenticeship at the Joseph Jackson (1733 – 1792) foundry in London. Antique was an early name for the slab serifs also known as Egyptians. Originally designed by Vincent Figgins (1766 – 1844) in London, England in 1815.
#Caslon egyptian font similar pdf
View pdf – Leaders & Special Characters part 2 View pdf – Leaders & Special Characters part 1
#Caslon egyptian font similar software
The special characters include many of those to be found in word processing software today – arrows, fractions, punctuation marks, mathematical characters, ornaments, religious symbols, musical notes etc. Tables were typeset using leader matrices which created horizontal or vertical rows of dots, dashes and solid lines. In addition to the many typefaces available, Intertype supplied a huge selection of leaders and special characters. The catalogue cost £3 3s 0d, or around £55 at current prices.
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The introduction to the catalogue contains information about Intertype’s matrices and how to order them. The type is used to emboss Moleskine notebooks and print the text in Prelogram’s greetings cards. Three of the machines are still in use, casting type using the brass matrices and molten metal. Prelogram has what is probably the world’s largest collection – around a dozen – of operational Intertype machines. Intertype manufactured mechanical linecasting machines from 1910 to around 1970. Intertype’s typeface and font catalogue – the ‘Book of Intertype Faces’ shows the huge range of typefaces, fonts, sizes and weights that were available in the 1950s for the mechanical line-casting machines that were used by the newspaper industry, book publishers and jobbing printers. THE typeface and font catalogue – the ‘Book of Intertype Faces’ is available below. We are gradually scanning and digitising the material and making it freely available online. In addition to the Intertypes, we’ve a huge collection of printed material about the maintenance and use of the machines. The type is used to create personalised journals: enter a name or other words online and we’ll set a slug of type which is used to blind deboss the cover of the journal. The machines are used daily, setting type from molten type metal. We have probably the world’s largest collection of operational mechanical typesetting machines.
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